تلقي الفيلم الروائي الجزائري بين السينما و الرواية : "ريح الجنوب" أنموذجا

Abstract EN

The text and his writer contributed to the birth of a new kind of reception called: the film reception, where the industry became after my new speech, with which he made a composite film language, so that receiving a different audiovisual appearance is all the difference from visual receiving only.

This research paper is based on a model of study, the novel "Wind of the South " of the son of the "between text and scenery." What is the difference between (the critical receiver) and the (receiver)? How is the Algerian feature film received? What changes in the narrative literary text when it passes from optical to audiovisual reception? Can he serve that novel or ruin it? What is the difference between a literary critic and a film critic?