الخروج عن الدائرة : السمات اللغوية و الأسلوبية ل (قصيدة النثر)‎-(الفرح ليس مهنتي)‎ لمحمد الماغوط أنموذجا

Abstract EN

In this study about the paradox between the two elements of the language poem and prose , including each in the literary heritage of what firm.

Able to rise to try to get close to the absolute , carry and deal with him in the essence of things coming out the poetic circle , in the collection (joy is not my profession) of Mohammad magoot, made the experience more distinct and well - presented as the contributions of the prose poem of magoot have chosen the tensions of daily life and their human moments and formed artistic conscience .

Hence , we can say that prose poem for Muhammad magoot, in his collection of joy is not my profession , can not be considered as a withdrawn world , but it created a fantastic atmosphere to overcome the literary genres .

through .

the diversity of shape and the organic unity , as the fantastic style which is achieved by manipulation of words , magoot prefers the extraordinary and the sudden transition to highlight predominated synthetic , trying to reach out of discover the anonymous through the pleasure of writing , and he does not exaggerate in seeing things from inside , across the limitations of the expressive concerted excavations , the most boldly and greater freedom .

there is nothing can prevent magoot from staring toward expressive ending required the use of the creative process .

perhaps the most important stylistic features of the language of prose poem for Mohammad magoot can be identified as follows 1- reeducates expression .

2- the phenomenon of stylistic comparison .

3- character is a technical trait.

4- mystery and strangeness.

5- distinguish expressive lexicon.