الرؤية التشكيلية لصياغة اللوحات الجدارية لواجهة كلية الفنون الجميلة

Abstract EN

The plastic vision of the painting of the facade Faculty of Fine Arts.

The second chapter included the theoretical framework and two topics: Chapter II / Theoretical FrameworkThe first topic: the concept of plastic vision.

The second topic: the decorative side of the wall art.

Theoretical Framework IndicatorsThe methodology and “procedures”, since the present aims at the formal vision for the formulation of the wall paintings of the Facade of the Faculty of Arts, followed the “descriptive-analytical approach”, analyzing content of the sample as the most appropriate approach the research objective.

The murals and the authors of (21) work will be the selection of the research sample intentional, was selected (3) murals for the purpose of analysis was chosen deliberately.

The research came out with a set of results: 1 - The murals were designed with a visual vision of the technology axis using the mosaic technology and the mosaic materials with transparent glass, which are alternative materials manufactured locally.

2 - As for the center of the decoration, the murals have achieved the goal of decorating through its interaction with the surrounding environment and the shape of the general architecture of the building executed on it.

The main conclusions are: 1 - the art of the wall with the recipient a state of communication in the introduction of topics and to set aside aesthetic and decorating the surrounding environment.

2.

The current research is an exposition of the relationship between heritage, modernity and modernity in the light of the topics in terms of technology and the decorative aspect.