التفكير الاستدلالي للشخصية في نص التفكير الاستدلالي للشخصية في نصوص ميخائيل رومان المسرحية نص (غدا في الصيف القادم)‎ انموذجا

Abstract EN

The theater is a cultural, artistic and intellectual interface and a source of culture that helps to elevate the society and launch the idea and flatten ignorance and activate the mind through the presentation of the characters of the play with the characteristics of knowledge included at the core of all human and especially intellectual, as the basis of the activation of the reasoning of the dramatic characters and detection and reasoning The solution to the outstanding problems in theatrical text, and to open the doors of the solution to the problems of eternal and diverse conflicts between the characters, the research (reasoning and implications in the characters of Michael Roman play text (tomorrow next summer) model, to study Mahe 5.

The cognitive thinking of Michael Roman characters, their characteristics and the nature of their behavior.

The research consisted of four chapters.

The first chapter included the problem of research which focused on the following question: What is the reasoning of personality in the texts of Mikhail Roman theatrical (tomorrow next summer model), and the importance of the research that was attributed to the need to study the reasoning of personality in the texts of Mikhail Roman play, And the need for it stems from the fact that this research will benefit the technical and intellectual competence and theatrical field of writers, technicians, learners and specialists, and identify the goal that focuses on the identification of the reasoning of the personality in the text (Temporal: 1999), spatial (Egypt), and (objectivity: study of the concept of deductive thinking of personality in the texts of Mikhail Roman play), as well as procedural definitions of the terms in the title of the research.

The first chapter deals with the concept of philosophical, psychological and educational reasoning, how it works, and what mechanisms help to activate it.

In addition, As for the second topic, the researcher dealt with the preoccupation of the reasoning thinking in contemporary theatrical doctrines.

The researcher dealt with the third topic: the intellectual references of the writer Mikhail Roman play.

As for the previous studies, the researcher did not find a previous study on the concept of reasoning in the plays of Michael Roman public and play tomorrow in the coming summer, especially.

The third chapter was devoted to the research procedures, in which the sample of the research was determined by the method of the purpose of the play (tomorrow next summer) model.

The researcher adopted the descriptive (analytical) method in the sample according to the nature of this research.

The researcher concluded in the fourth chapter to mention the results of the analysis of the research sample, the conclusions, and the list of sources.