إيقاع اللغة الشعرية في ديوان هادي الحمداني

Abstract EN

Praise be to God who taught the pen, and came Mukhtar mosques speech, and prayers and peace on the Pacific of injustice, and the family of the producers of credit and generosity.

The rhythm is one of the five active components of which there is no poem.

The rhythm is one of the stylistic features that gives literary work the ability to express the expressive features that are considered to be the aesthetics of the poem.

Rhythm is a major and effective part of the poem.

In the poetic text, which plays an important role in showing the aesthetics of the poetic language, and through our inquiry in Diwan Hadi al-Hamdani, the full work of studying and studying Dr.

Hadi Nahr, we have a set of internal rhythmic features (repetition, Where repetition came on three levels 1- repeat the single voice is the repetition of the voice in the text, which is a method of a balanced, has an impact on hearing, and the tone of the tone of the rhythm of music 2- repeat one word and this is one of the rhythmic phenomena that draw attention in the hair Hamdani 3- The repetition of the phrase is a reflection of the meaning.

The characteristic of the reflexes on the chest was filled with a large area in Hamdani's poetry, in order to strengthen the rhythm of the house and its musical bell.

Their surface level and depth Give a line of text between Almrddh functions, these rhythmic verses that we mentioned would circadian text intensity lifts consistent with built text semantic and movement of text from stalemate to the movement and imagination, as her Almaiz role in the detection of the purposes of the text deep and clarified to the recipient.