جدلية الهوية و الآخر في المسرح العراقي المعاصر

Abstract EN

The value of culture in its interaction is formed and shaped according to attractive and incongruous roles that perceive an identity that adopts that formation, even if it is often perceived and declared, and perhaps the characteristic of attraction and difference implies within a subjective, self-evident meaning through which it seeks to make the identity mobile subject to the cultural and constructive causes of the form of introverted identity to the conflicts taken To shape the culture of real time, On the end of the twentieth century and beyond, where modern concepts such as hegemony, globalization, cultural conquest, colonialism, and cultural imperialism all these reasons made the concept of cultural identity appear on the surface of critical studies as a title that works to preserve the identity of nations and peoples and in turn produces a reaction to a colonial and economic imperialist action founded by globalization, Hence the concept of dualism (the ego and the other) came, and the researcher emphasized the content of his study on the form of cultural identity and the role and problematic of the ego and the other and he went to specialize in the Iraqi theater for these repercussions and what the theatrical text produced and took from the text of a play on a rainy night as a model for his research at all levels of mythological social and economic and political problem of identity Cultural.