سيميائية الصورة في نصوص قاسم حول المسرحية

Abstract EN

The playwright is one of the necessary elements in supporting theatrical movement and according to the type of writing the text and the interactive output of this movement.

Here is a writer specialized in rewriting novels, It is a great task in drafting the text and achieving the goal that leads to it.

Perhaps this study is aimed at reading the theatrical text of the Iraqi writer and filmmaker (Qasim Hawal), which is distinguished in his text It is based on the fact that Kassem Hawl is interpreted by the cinematic scene as a complex scene that lacks meaning because of the chemistry that fills the line between the lines.

Hence, the current research included four chapters, so that the first chapter contains the methodological framework that is interested in questioning the research as follows: .

What are the meanings of the image of theatrical stimulated in the texts of Qasim on the play? .

Then the purpose of the research and the importance of research and the need for it and then moved the chapter to the definition of terms linguistically and methodically and procedural definition.

In the second chapter, which contains the theoretical framework, it was divided into two sections.

Simimize the image in the theatrical text.1 The intellectual and artistic references of Qasim Hawal.2Then previous studies and indicators that resulted from the theoretical framework.

In the third chapter, which is the separation of procedures, it was based on a research society consisting of (7) theatrical texts in the samples and analysis, and the researcher chose two samples, and the method of selection of the intended sample.

In the fourth chapter is the separation of findings, conclusions, recommendations and proposals, the researcher reached a number of results, the most important.1.

Voices, including dialogue, produce social theater images with signs of semiotics.2.

The image is a mass of signs which is a look of creative activity or read a critical monetary activity according to the criteria of Susser.3.

The language carrying the image and the image bearing the markings, and the semiotics of the image emanate from social semiotics.

As for the conclusions, the researcher identified thirteen conclusions, the most important of which were.

Alchemy broad science does not include theater alone.1Theatrical image has the ability to generate semantics in different forms.

.2.

3.

Author Kassem Hawal benefited from the cinematic picture in his plays.

Then came the researcher with a set of recommendations and proposals