بنية الحدث في المشاهد المنفذة على الخزف الاسلامي

Abstract EN

The current research deals with an important phenomenon of Islamic art, which is confined to the limits of the art of ceramics as it is one of the most popular arts in the field of artistic formation in the Islamic era.

The Islamic art moves within the limits of narrative literature and imaginative images.

The structure of the event played an important role in Islamic thought.

Hence, the problem of research began to inquire about the mechanism of employing the event and the reasons for its employment and the level of the graphic scenes on the surfaces of ceramics in the Islamic era to ask the following question: The study aims at defining the structure of the event in the scenes executed on Islamic ceramics and with limited spatial limits (Iraq, Egypt, Syria, Iran) and for the period from (Q3-Q10).

The research then dealt with two areas, The second topic was to review the techniques of implementing the scenes on the ceramic surfaces and to review the most important of these techniques.

Then, the research dealt with the third chapter of the research procedures.

The research community consisted of (20) ceramic works, Sample of the research by (six) models and follow the descriptive approach Art analysis method.

After extensive analysis, the researcher came out with a set of conclusions and conclusions : 1.

Animal form is the predominant form in the scenes executed on the ceramic ceramic dishes as in the sample (1-2-3-4).

2.

The event or scene is dominated by the element of sovereignty through its central position in the executed Islamic ceramics as in the sample (1-2-3-4).

3.

The production of the Muslim potter different events of reality through the central position in the Islamic ceramics executed as in the sample sample (1-2-3-4).

4.

The structure of the event in the scenes executed on the Islamic ceramics to the general characteristics of Islamic art in terms of rotation around the center.

5.

Decoration plays a large role in shaping the structure of the event in Islamic ceramics.

The search ends with a list of sources.