من تفريغ الشكل إلى تشكيل الفراغ : دراسة بنية التقابل و التضاد في"رحلة ابن فطومة" لنجيب محفوظ

Abstract EN

The philosophical and narrative “The Journey of Ibn Fatuma” movement focuses on two successive axes.

These Axises are figure unloading and void coining.

Figure unloading is particularly present in the first part of the novel, with its negative and positive sides.

Whereas void coining is the formation of a vacuum that escalates in the spatial and temporal voids representing the crucifixion gradually from imaginable places, and based on their own names or general characteristics, so that the narrator forms its emptiness that embodies patterns of the daydream struggle and his dream.

The escalation ends with reaching places or homes that are entrenched in the void, difficult to imagine or reach represented in the "sunset" and then "mountain" "Which ends up in a transparent mist that the narrator makes it an open end to the movement from emptying the shape to forming a void.

During this general perception, familiar artistic elements, such as time, space, language, major and minor personalities and events, are intertwined.

The convergence is a concept of the relationship between words and meanings, and the relationship between them is dialectical.

The reciprocal phenomenon is its dual main pillar.

Each word that is present in the linguistic context of the text, whose significance is determined by the anonym, which necessarily does not exist in the text, but rather results in it receiving the text.

Proceeding from these concepts, our reading of this text is based on a study of the structures of encounter and contradiction, whereby through the structure of the encounter two or more opposing worlds are monitored between them.

The study will start from seeing the structural approach.