الحياد و التورط في أعمال بهاء طاهر : مجموعة "الخطوبة" و رواية "قالت ضحى" أنموذجا

Abstract EN

The Arab novel, like international novels, has known a number of transformations, whether in terms of form or content, the fact that the novel is a literary genre that is subject to continuous breach and change.

This shift in the Arab novel was in turn based on literary, historical, cultural and social foundations .

The Arabic fiction writing at the beginning of the sixties represented a moment of estrangement and emancipation from all forms that restricted traditional fiction writing.

Bahaa Taher is one of the sixties generation.

The first phase of his writings was distinguished by his influence on the trend of objectification, or what is known as neutrality.

His works represented a cry of protest and rebellion, carrying with them an indirect call for change and withdrawal from complex reality.

His world, the world of cold oppression, adopted the neutral declarative language as a mask, a sober eye language devoid of all emotion or involvement.

With the advent of the novel "Qalat Duha", which is considered a milestone in his career in terms of formulation and vision, the second phase of his writing was launched.

Where the mask of neutrality split, carried the poetic charge, embodied the symbol and summoned the myth.