الإيقاع السمعي و البصري في القصة الشاعرة

Abstract EN

Since 6006, he appeared on the literary scene or the so-called (Alkesa Alsha'era) to add to the great idiomatic and expressive quantity that filled the modern Arabic verbal blog, such as: fiction, poetry, theatrical poetry, theater poetry, fiction poetry ...

This new term and experimental art has held many symposia and propaganda conferences in prestigious cultural places, and prestigious creative forums, in Egypt and abroad, and received attendance and effectiveness and read by many diverse supporters critics see it as an achievement, and opponents see it terrible! Each destination is Molly, and people love doctrines! It is a wonder that some of them ruled for this art or a prior mind, and through conspiracy theory, or the tendency of superiority and sick meta I have decided not to judge this art or him by reading about it, but reading it in the first founder: creative and theoretical: the poet reciting: Mohammed Shahat Mohammed, and through a random sample, represented by Alkesa Alsha'era (tsryh); What signed my eyes on the creativity of the founder.

This was the first management view of this art, through the basic poetic structure in it, namely rhythm.

The Soul The study was as follows -Idiomatic rooting of the art of the poet -Distinguishing characteristics of the poet -Read text, and the term rhythm -The auditory rhythm in the poet's story -Visual rhythm in the poet's story.

The Soul The detail will come in that