الخيالات البينية و تأسيس الأشكال الجمالية الجديدة : القصة الشاعرة أنموذجا

Abstract EN

In all its orientations, the text urges the connection between many aspects of aesthetic, human, existential and infinite value realities, hence true, living art was a piece of the spirit of life itself, a piece that combines the present, the experimental and the future at once, thus pushing the aesthetic and critical awareness to its cognitive and imaginative ends.

Distant.The aesthetics of the (Alkesa Alsha'era) was established in what we saw in this research according to the logic of spaciousness, complexity, and overlap, or in other words, it was established according to what we have proposed here in our new term (plural systemic interpenetration) and an attempt to establish a new concept of contemporary new literature, which conveys it from the idea of binary linear metaphorical relations.

And the succession to the concept of systemic, plural, and planetary network relations, replacing the idea of relationship, with the idea of system, and the idea of a single dynamic artistic structure of the text, with the idea of an intertwined network hyperstructure capable of monitoring the imagination of movement, image, sound, matter and velocity at once, and what resulted from all this of changing the aesthetic model of Concepts of imaginative hierarchy and succession in monitoring the relationship of the text with its aesthetic traditions both inherited and contemporary to the aesthetic pluralistic model based on overlap, bifurcation and interlacing, synchronization and aesthetic resonance, which resulted in a radical qualitative change in the concept of metaphorical relationships in the structure of the imagination itself on the one hand, and the concept of the reader's relationship to the text from Second hand.