أم كلثوم تؤلف الأطلال

Abstract EN

The first block in the structure of Umm Kulthum was a linguistic brick, and aesthetic brick, which was the foundation upon which this structure rose and flourished and its eating came over a period of more than half a century of time.

Umm Kulthum was never interrupted from the search for new words, nor from melodies, nor from formulating intellectual, national and Arab attitudes expressing the function of art, or expressing the artist’s awareness, if he is educated, in his social and literary message towards his homeland, towards his Arabism, and towards the meanings around which man wraps here, yesterday, today, or tomorrow.

Umm Kulthum has restored the singer’s status and consideration, as well as the prestige and dignity of the art of singing when it relates to the art of poetry and restored the old flesh between them when it made poetry and poetry a context of singing and high performance.

and it is difficult for Umm Kulthum, which formed this composition, to be a passive recipient of what poets, sparrowers, or musicians offer her, so she does not content himself with choosing, but rather interferes in finding alternatives to heavy vocabulary on the ear, which are difficult to understand among the general recipients.

thus Umm Kulthum always practiced the job of the visionary critic as she reads, what she chooses, chooses, and what she presents to her audience, and this study stops before this poem represented by Umm Kulthum's singing of the poem of the ruins written by Naji Before ?