القدر بين أنتيجوني لسوفوكليس و المدينة الميتة لجابريلي دانونسيو

Abstract EN

This research aims at clarifying features the affect and influence in the Greek and Italian plays, By presenting the similarities and differences of fate in the "Antigone" the Sophocles play and the "dead city" of D’Annunzio, Through relation to love, Has the human ability to choose his fate or is inevitable.

One must surrender to it without trying to change it or even limit it.

Is there a lamentation for the inevitable fate? The events of the play "The Dead City" began with an Italian text translation of Greek verses (781-814), About "invincible love"/ Ἔρωσ ἀνίκατε μάχαν” / "Eros nella pugna invitto", Which was received by the chorus at Sophocles while read by Bianca Maria to Anna in D’Annunzio, Which shows that D’Annunzio was influenced by Greek thought in general, And by the idea of "invincible love" - in their view - in particular.

I will explain the affect and influence between the two plays, through the fate based on evidence of theatrical verses, And using analytical and comparative methods.

The comparison between the two plays showed: The brotherly love in the both plays was the same motive as death, The fate is power the human not able to overcome them or stop them, But can limit it by acceptance and wisdom in dealing with them.

Lamenting fate is in fact the human weakness, same as in the character of Antigone Sophocles and the human regret for his work, As in the personalities of Creon Sophocles and Leonardo D’Annunzio.

The three elements were found in the two plays, But the dramatic treatment between the two writers differed as a result of their different age.