إشكالية قصيدة النثر بين تحديات الرفض و التأصيل الإبداعي

Abstract EN

The purpose from this article is that it studies the problematic of the circumstances that it poses (poeme prose) in the literary field within poetic transformations and studies the attitudes of the literary community of critics, poets and recipients in an attempt to reveal their way of thinking and creativity, as well debating who puts the disputed issue in another context by re-reading the nature of poetry in terms of its purpose and objectives, and in the context of these transformations, how prose poem benefited from the phenomenon of interaction between the arts? what is the special poetry achieved by prose poem? what are the limits of departure from the musical criterion and what are its structural principles? what are the limits of maintaining the old poetic music ? Has it been able to develop or develop a law for its creative production? how could this type remove these boundaries through the history of creative movement and enter into the aesthetics of displacement and stylistic change? then what are the factors that helped ((prose poem)) to impose its presence and provide superior models to add to the poetic creativity based on the frequencies of sound through its special rhythm ? These are some of the questions that this article tries to study through new transformations