التعالق الموسيقي في الشعر الأندلسي : ابن الأبار (ت595 ه - 658 ه)‎ انموذجا

Abstract EN

The voice had a special place in the writting of the Andalusian poet (Ibn al-Abar ), which aroused my attention because of the sonic capacity of the lettering inside the poetic at Ibn al-Abar poems.

So Istudied the qualities of the lettering, structures and their exits.

Scientists have not been able to determine the musical from the nonmusical sound, but we find the innate ability of Ibn al-Abar, which was able to determine this by using the lettering the right places and to revival the life to reflect the moments of his life, therefore came votes to express his purposes of praise and pride Etc.

The poet Ibn al-Abar could exploit the lettering features in the effect of bilateral – static and moving and its ability to express its inner feeling and surrounding.

His poeam came in a variety of praise, yarn, description and lament.

Thesound of meaning corresponds to the parts of the poem and its cafia, which truly expressed the peot, s surrounding and sensations.