الشعر المحدث و سلطة المؤسسة اللغوية في التراث النقدي العربي

Abstract EN

Summary: The first narrators and early linguists assumed great importance as the Arab Diwan, and as a cultural identity of the Arab society under the dominance of the oral narrative.

In this context, the character, spontaneity and distance from the fabrication remained the supreme goal sought by these people in their search for evidence.

In the poetry, was the refugee in which they find their destination.

However, with their reverence for the poetry and their interest in it, they present the modern born poetry, with all the signs of innovation, and the glimpses of creativity, but looked at it with indignation.

Thus the beginnings of linguistic criticism appeared, in linking the poetry to the linguistic aspect.

From here, we must ask the question: To what extent could the Arab poet escape his poetry from the censorship of the grammatical criterion, and to what extent could language control curb the rebellion of Arab poetry? What sociocultural patterns are behind this raging conflict in our history?