جدل الشفاهية و الوعي الكتابي في نماذج من الشعر الجاهلي : دراسة هيرمينوطيقية

Abstract EN

This research studies the images writing in selected samples of pre-Islamic poetry, and displays some features of orally theory that emerged from the western critical mind it trying to approach the ” Homery issue”, and access to the memory laws and construction systems, poetic creativity orally, and orally initial receiving, in compared with models of the efforts of some Arab researchers in their approach to the doubt issue of Pre-Islamic Poetry.

This research tries to reveals the ontology of language, and the importance of modern science language to visibility the poetic creativity and make intellectually and aesthetically approach; as the language is the existence house, or the being house, as Martin Heidegger states.

The research reveals writing images that contacted - through the image - with “Stand on Talal.

” The Pre-Islamic poets consistently resoles the ”Talal” to the writing.

This research tries to make approach of their writing awareness through the transformation of Nature /” Talal” to Writing/ Culture in the poetic image.

This research take analytical and hermeneutics method to study the writing images and it representations range of the writing awareness at the Pre-Islamic poets.