تسييس الخطاب المسرحي عند سعدالله و نوس

Abstract EN

Since the early beginnings of his cultural endeavor in the Arabic theatre, Wannous has reached a comprehensive intellectual framework for his national project.

He sought a state of emancipation of independence form all the forces which threatens the Arab people, especially the political, social, and cultural conflicts in an attempt to achieve social justice.

He has focused on the political function of theatre and it made it clear that it is one of his main concerns.

He considered the theatre as a social phenomenon which creates a state of intellectual awareness of the current political issues.

The paper is composed of six sections.

The first section tackled the political Oppression in “The poor Molasses Seller”.

Then, I tackled the duality of resistance in “Bloodletting”.

The third section made clear the fall of masks in “Campfire for the 5th of June”.

The fourth section clarified the problematic relationship between the citizen and the authority in "The king is the king" The fifth section deals with treasury of the authority and the passivity of the public in “The adventure of the slave Gaber”.The six-section dealt with the aggression of suppression and self-banishment in “The Rape”.

I concluded the paper with a conclusion and an appendix which included the references consulted.