بلاغة اللغة الدرامية غير المنطوقة في مسرحية "الفيل يا ملك الزمان" لسعد الله و انوس

Abstract EN

In this article, we approach the rhetoric of dramatic language of non-spoken elements in a play "The Elephant, O King of Time," by "Saad Allah Wannus" because of our belief in her eloquence, starting from a modern critical view; she sees in the theatrical discourse a world of signs, and an integral collective activity, in which a group of elements interact, representing the non-spoken elements, one of them.

Thanks to its ambiguity, it stimulates the interest of the recipient and introduces him into the speech.