التناص في قصيدة الناي المحترق لإبراهيم ناجي

Abstract EN

The creator no longer had any value after he abolished (Bart 1915 - 1980 AD) his role completely from creativity with the emergence of structuralism, as he put forward the death of the author, and his role became limited to production only, while assigning creativity to the recipient with what he carries from poetic, prose or religious cultures, etc.

, and after This transition is almost entirely devoted to the text by Western researchers, and to the multiplicity of its interpretations by the recipient.

Perhaps this is what led many of the major Arab critics to follow in their footsteps and make their approach a year to follow; We also find at Salah Fadl, Kamal Abu Deeb, Abdullah Al-Ghazhami.

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and others.