Breaking the spell of the male gaze in selected women's Ekphrastic poems

العناوين الأخرى

كسر تعويذة النظرة الذكورية في قصائد مختارة من قصائد الوصف التصويري للشاعرات

المؤلف

al-Wattar, Shayma Zuhayr

المصدر

Journal of Education College

العدد

المجلد 2019، العدد 37، ج. 2 (30 نوفمبر/تشرين الثاني 2019)، ص ص. 681-700، 20ص.

الناشر

جامعة واسط كلية التربية

تاريخ النشر

2019-11-30

دولة النشر

العراق

عدد الصفحات

20

التخصصات الرئيسية

الآداب

الموضوعات

الملخص EN

For centuries art and poetry have been inspiring each other and the relation between word and image constantly fascinates the poets.

The literary world has given poems that tackle artwork the name: ekphrasis.

Ekphrasis represents a rich hunting ground for references, allusions, and inspiration for poets.

However, ekphrasis is powerfully gendered that privileged male gaze.

Traditionally, the male is given the strong position as the gazer, while the woman is locked in her predetermined role that of the beautiful, silent, submissive, gazed upon.

Women poets refuse to adhere to the gendered ekphrastic tradition and the under-representation of women in ekphrastic poetry.

They strongly challenged the ekphrasis tradition modifying it to create a distinctive feminist ekphrasis.

Their poetry changes the male-dominated ekphrsis tradition that for centuries has pervaded the Western cultures.

The work of the poets Louise Bogan, Carol Ann Duffy, Rita Dove, and Margaret Atwood is an excellent example of women's ekphrastic poetry that defies the tradition of patriarchal male gaze in an attempt to break the spell of the male For centuries art and poetry have been inspiring each other and the relation between word and image constantly fascinates the poets.

The literary world has given poems that tackle artwork the name: ekphrasis.

Ekphrasis represents a rich hunting ground for references, allusions, and inspiration for poets.

However, ekphrasis is powerfully gendered that privileged male gaze.

Traditionally, the male is given the strong position as the gazer, while the woman is locked in her predetermined role that of the beautiful, silent, submissive, gazed upon.

Women poets refuse to adhere to the gendered ekphrastic tradition and the under-representation of women in ekphrastic poetry.

They strongly challenged the ekphrasis tradition modifying it to create a distinctive feminist ekphrasis.

Their poetry changes the male-dominated ekphrsis tradition that for centuries has pervaded the Western cultures.

The work of the poets Louise Bogan, Carol Ann Duffy, Rita Dove, and Margaret Atwood is an excellent example of women's ekphrastic poetry that defies the tradition of patriarchal male gaze in an attempt to break the spell of the male gaze.

نمط استشهاد جمعية علماء النفس الأمريكية (APA)

al-Wattar, Shayma Zuhayr. 2019. Breaking the spell of the male gaze in selected women's Ekphrastic poems. Journal of Education College،Vol. 2019, no. 37، ج. 2, pp.681-700.
https://search.emarefa.net/detail/BIM-1053522

نمط استشهاد الجمعية الأمريكية للغات الحديثة (MLA)

al-Wattar, Shayma Zuhayr. Breaking the spell of the male gaze in selected women's Ekphrastic poems. Journal of Education College No. 37, p. 2 (Nov. 2019), pp.681-700.
https://search.emarefa.net/detail/BIM-1053522

نمط استشهاد الجمعية الطبية الأمريكية (AMA)

al-Wattar, Shayma Zuhayr. Breaking the spell of the male gaze in selected women's Ekphrastic poems. Journal of Education College. 2019. Vol. 2019, no. 37، ج. 2, pp.681-700.
https://search.emarefa.net/detail/BIM-1053522

نوع البيانات

مقالات

لغة النص

الإنجليزية

الملاحظات

-

رقم السجل

BIM-1053522