Breaking the spell of the male gaze in selected women's Ekphrastic poems
العناوين الأخرى
كسر تعويذة النظرة الذكورية في قصائد مختارة من قصائد الوصف التصويري للشاعرات
المؤلف
المصدر
العدد
المجلد 2019، العدد 37، ج. 2 (30 نوفمبر/تشرين الثاني 2019)، ص ص. 681-700، 20ص.
الناشر
تاريخ النشر
2019-11-30
دولة النشر
العراق
عدد الصفحات
20
التخصصات الرئيسية
الموضوعات
الملخص EN
For centuries art and poetry have been inspiring each other and the relation between word and image constantly fascinates the poets.
The literary world has given poems that tackle artwork the name: ekphrasis.
Ekphrasis represents a rich hunting ground for references, allusions, and inspiration for poets.
However, ekphrasis is powerfully gendered that privileged male gaze.
Traditionally, the male is given the strong position as the gazer, while the woman is locked in her predetermined role that of the beautiful, silent, submissive, gazed upon.
Women poets refuse to adhere to the gendered ekphrastic tradition and the under-representation of women in ekphrastic poetry.
They strongly challenged the ekphrasis tradition modifying it to create a distinctive feminist ekphrasis.
Their poetry changes the male-dominated ekphrsis tradition that for centuries has pervaded the Western cultures.
The work of the poets Louise Bogan, Carol Ann Duffy, Rita Dove, and Margaret Atwood is an excellent example of women's ekphrastic poetry that defies the tradition of patriarchal male gaze in an attempt to break the spell of the male For centuries art and poetry have been inspiring each other and the relation between word and image constantly fascinates the poets.
The literary world has given poems that tackle artwork the name: ekphrasis.
Ekphrasis represents a rich hunting ground for references, allusions, and inspiration for poets.
However, ekphrasis is powerfully gendered that privileged male gaze.
Traditionally, the male is given the strong position as the gazer, while the woman is locked in her predetermined role that of the beautiful, silent, submissive, gazed upon.
Women poets refuse to adhere to the gendered ekphrastic tradition and the under-representation of women in ekphrastic poetry.
They strongly challenged the ekphrasis tradition modifying it to create a distinctive feminist ekphrasis.
Their poetry changes the male-dominated ekphrsis tradition that for centuries has pervaded the Western cultures.
The work of the poets Louise Bogan, Carol Ann Duffy, Rita Dove, and Margaret Atwood is an excellent example of women's ekphrastic poetry that defies the tradition of patriarchal male gaze in an attempt to break the spell of the male gaze.
نمط استشهاد جمعية علماء النفس الأمريكية (APA)
al-Wattar, Shayma Zuhayr. 2019. Breaking the spell of the male gaze in selected women's Ekphrastic poems. Journal of Education College،Vol. 2019, no. 37، ج. 2, pp.681-700.
https://search.emarefa.net/detail/BIM-1053522
نمط استشهاد الجمعية الأمريكية للغات الحديثة (MLA)
al-Wattar, Shayma Zuhayr. Breaking the spell of the male gaze in selected women's Ekphrastic poems. Journal of Education College No. 37, p. 2 (Nov. 2019), pp.681-700.
https://search.emarefa.net/detail/BIM-1053522
نمط استشهاد الجمعية الطبية الأمريكية (AMA)
al-Wattar, Shayma Zuhayr. Breaking the spell of the male gaze in selected women's Ekphrastic poems. Journal of Education College. 2019. Vol. 2019, no. 37، ج. 2, pp.681-700.
https://search.emarefa.net/detail/BIM-1053522
نوع البيانات
مقالات
لغة النص
الإنجليزية
الملاحظات
-
رقم السجل
BIM-1053522
قاعدة معامل التأثير والاستشهادات المرجعية العربي "ارسيف Arcif"
أضخم قاعدة بيانات عربية للاستشهادات المرجعية للمجلات العلمية المحكمة الصادرة في العالم العربي
تقوم هذه الخدمة بالتحقق من التشابه أو الانتحال في الأبحاث والمقالات العلمية والأطروحات الجامعية والكتب والأبحاث باللغة العربية، وتحديد درجة التشابه أو أصالة الأعمال البحثية وحماية ملكيتها الفكرية. تعرف اكثر