الدلالات الجمالية للماكياج في العرض المسرحي الصامت

الملخص EN

Longer make up a key component of the composition of the picture for display of theatrical elements, particularly the display of theatrical silent and has the ability to configure and transmit the semantics sham carry aesthetic and intellectual contents show through outstanding employment on the face and the body of actor, also confirms make-up active role in the detection of the dimensions of theatrical personalities and motivations of during those symbols formed and indications of drawn and expressive forms for theatrical figures, where unite elements make up with each other to give indications of aesthetic through a clear picture determines theatrical silent figures in light of this current research comes studied by specialists from the theater through the study of the semantic aesthetic makeup supply silent playwright, has included the first chapter of systematic research framework which included the formulation of the research problem by asking the following: ((Did the make-up connotations of aesthetic value as a means of expression with the actor in the play silent?)) The importance of research has addressed placed make-up as an aesthetically Tagged in theater silent, as chapter included the aim of the research in the know connotations aesthetic makeup in the theater and silent were limits search for theatrical performances silent presented in Baghdad and Babylon, the time period of the (2004-2010) as the research to determine the terms contained in the title and body of research.

The second chapter identifies key sectors included two sections the first of them on the concept and significance of their ratings and their types and their applications in the silent theater and eat the second section of the chapter elements make-up and its relation to the technical components in the play Silent (decor, lighting, costumes).

The third chapter ensure that measures research and identified the research community consisting of 10 performances silent was selected two performances of a sample to look purposely researcher which was based on the descriptive method (analytical) for the analysis of samples.

The research concluded fourth quarter, which included findings, conclusions and recommendations, proposals and it was the most important findings of the researcher are: 1- Led elements of make-up (line, form, color, texture) an important role in the consistency and integration of image theater.

2- Helped make up on the personal embodiment of the role and support the movement and facial expressions on stage.

3- Varied connotations aesthetic makeup to broadcast different meanings associated with the shape and movement together.

4- Makeup contributes in creating artistic image to your personal appearance and external disclosure of internal motivation and nature.