إشكالية المقدس و المدنس في مسرحيات علي عبد النبي الزيدي : (مسرحية يا رب أنموذجا)‎

الملخص EN

The duality of the sacred and the profane is one of the concepts that have accompanied mankind since the inception of creation and had an effect on the nature of his thinking and behavior, as it entered into the details of his life as well in the aesthetics of arts and literature.

The dialectic between the sacred and the profane that the view point of looking at them differ from one place to another, which led to a permanent conflict between them, in which one of them seeks to occupy the center and marginalize the other.

At the level of theater literature, the writer Ali Abdul Nabi Al-Zaidi sought in his play (Oh Lord) to employ this conflict between them in the dramatic construction of his theatrical text to express the depth of this problem and to show it in an aesthetic form appropriate to the work of art.

The first chapter of this paper contains the methodological framework.

The second chapter includes two topics First, the sacred and the profane between origin and roots.

Second, the sacred and the profane in the theatrical text.

The researcher reached the most important results and conclusions, including: 1.

The sacred and the profane is an integrated socio-cultural system with boundaries that are preserved by taboos and prevented by prohibitions.

2.

The essence of the dialectic between the sacred and the profane is the corrupting encroachment between the boundaries of each on the other.

3.

The dialectic between the sacred and the profane in this theatrical text had a great contribution to the development of events through the difference and conflict that aroused between the two parties.