النقد النسوي و تمثلاته في النص المسرحي العراقي : مسرحية سبايا بغداد أنموذجا

العناوين الأخرى

Feminist criticism and its representations in the Iraqi theatrical text : “Sabaya Baghdad” as an exemplar

المؤلف

البكري، رسل خلفة كاظم

المصدر

مجلة جامعة بابل للعلوم الإنسانية

العدد

المجلد 29، العدد 2 (28 فبراير/شباط 2021)، ص ص. 85-101، 17ص.

الناشر

جامعة بابل

تاريخ النشر

2021-02-28

دولة النشر

العراق

عدد الصفحات

17

التخصصات الرئيسية

الفنون

الملخص EN

The study deals with feminist criticism and its representations in the Iraqi theatrical text, and it uses the play "Sabaya Baghdad" as a model for such works.

The research problem is represented in asking how feminist criticism emerged, what is meant by it, and what are the structural characteristics that distinguish feminist writings, and whether female texts differ in their structure from masculinity.

The aim of the study is to identify the representations of the concept of feminist criticism in the Iraqi theatrical text.

The study dealt with the concept of feminist criticism and its references, the structure of the international feminist theatrical text, indicators of the theoretical framework, and previous studies.

The research community included one sample, which is the play (Baghdad Sabaya 2018) by writer Awatif Naeem.

Among the results of the research (1) that the author addressed the idea of the text from social, economic and political topics that reflect the lived reality in Iraq, especially the events in Mosul in 2014, when Yazidi women were exiled, their symptoms were violated, and chaos resolved (2) the author used in her language similes and metaphors to clarify her idea to the recipient.

Which constitutes a peculiarity in the presentation withits criticism of the forbidden and the silent about it, in a special language that reveals its awareness of itself and its role in restoring consideration for its marginalized human existence (3) The author used the formal language with the introduction of sentences and vocabulary in the colloquial language to convey the meaning in conveying the suffering and the degree of pain and giving an aesthetic to the dramatic event.

An open culture that does not believe in drawn boundaries, and (5) the writer relied on the monodrama method to express restricted dreams, without adhering to standards that limit or suppress them, and express a viewpoint that adopts a feminist vision of the world, and women have had a great role through their management of the conflict within the dramatic event

نمط استشهاد جمعية علماء النفس الأمريكية (APA)

البكري، رسل خلفة كاظم. 2021. النقد النسوي و تمثلاته في النص المسرحي العراقي : مسرحية سبايا بغداد أنموذجا. مجلة جامعة بابل للعلوم الإنسانية،مج. 29، ع. 2، ص ص. 85-101.
https://search.emarefa.net/detail/BIM-1265462

نمط استشهاد الجمعية الأمريكية للغات الحديثة (MLA)

البكري، رسل خلفة كاظم. النقد النسوي و تمثلاته في النص المسرحي العراقي : مسرحية سبايا بغداد أنموذجا. مجلة جامعة بابل للعلوم الإنسانية مج. 29، ع. 2 (شباط 2021)، ص ص. 85-101.
https://search.emarefa.net/detail/BIM-1265462

نمط استشهاد الجمعية الطبية الأمريكية (AMA)

البكري، رسل خلفة كاظم. النقد النسوي و تمثلاته في النص المسرحي العراقي : مسرحية سبايا بغداد أنموذجا. مجلة جامعة بابل للعلوم الإنسانية. 2021. مج. 29، ع. 2، ص ص. 85-101.
https://search.emarefa.net/detail/BIM-1265462

نوع البيانات

مقالات

لغة النص

العربية

الملاحظات

يتضمن مراجع ببليوجرافية : ص. 100-101

رقم السجل

BIM-1265462