النقد النسوي و تمثلاته في النص المسرحي العراقي : مسرحية سبايا بغداد أنموذجا

Other Title(s)

Feminist criticism and its representations in the Iraqi theatrical text : “Sabaya Baghdad” as an exemplar

Author

البكري، رسل خلفة كاظم

Source

مجلة جامعة بابل للعلوم الإنسانية

Issue

Vol. 29, Issue 2 (28 Feb. 2021), pp.85-101, 17 p.

Publisher

University of Babylon

Publication Date

2021-02-28

Country of Publication

Iraq

No. of Pages

17

Main Subjects

Arts

Abstract EN

The study deals with feminist criticism and its representations in the Iraqi theatrical text, and it uses the play "Sabaya Baghdad" as a model for such works.

The research problem is represented in asking how feminist criticism emerged, what is meant by it, and what are the structural characteristics that distinguish feminist writings, and whether female texts differ in their structure from masculinity.

The aim of the study is to identify the representations of the concept of feminist criticism in the Iraqi theatrical text.

The study dealt with the concept of feminist criticism and its references, the structure of the international feminist theatrical text, indicators of the theoretical framework, and previous studies.

The research community included one sample, which is the play (Baghdad Sabaya 2018) by writer Awatif Naeem.

Among the results of the research (1) that the author addressed the idea of the text from social, economic and political topics that reflect the lived reality in Iraq, especially the events in Mosul in 2014, when Yazidi women were exiled, their symptoms were violated, and chaos resolved (2) the author used in her language similes and metaphors to clarify her idea to the recipient.

Which constitutes a peculiarity in the presentation withits criticism of the forbidden and the silent about it, in a special language that reveals its awareness of itself and its role in restoring consideration for its marginalized human existence (3) The author used the formal language with the introduction of sentences and vocabulary in the colloquial language to convey the meaning in conveying the suffering and the degree of pain and giving an aesthetic to the dramatic event.

An open culture that does not believe in drawn boundaries, and (5) the writer relied on the monodrama method to express restricted dreams, without adhering to standards that limit or suppress them, and express a viewpoint that adopts a feminist vision of the world, and women have had a great role through their management of the conflict within the dramatic event

American Psychological Association (APA)

البكري، رسل خلفة كاظم. 2021. النقد النسوي و تمثلاته في النص المسرحي العراقي : مسرحية سبايا بغداد أنموذجا. مجلة جامعة بابل للعلوم الإنسانية،مج. 29، ع. 2، ص ص. 85-101.
https://search.emarefa.net/detail/BIM-1265462

Modern Language Association (MLA)

البكري، رسل خلفة كاظم. النقد النسوي و تمثلاته في النص المسرحي العراقي : مسرحية سبايا بغداد أنموذجا. مجلة جامعة بابل للعلوم الإنسانية مج. 29، ع. 2 (شباط 2021)، ص ص. 85-101.
https://search.emarefa.net/detail/BIM-1265462

American Medical Association (AMA)

البكري، رسل خلفة كاظم. النقد النسوي و تمثلاته في النص المسرحي العراقي : مسرحية سبايا بغداد أنموذجا. مجلة جامعة بابل للعلوم الإنسانية. 2021. مج. 29، ع. 2، ص ص. 85-101.
https://search.emarefa.net/detail/BIM-1265462

Data Type

Journal Articles

Language

Arabic

Notes

يتضمن مراجع ببليوجرافية : ص. 100-101

Record ID

BIM-1265462