الخطاب النسوي في أعمال الفنانة و سماء الآغا

العناوين الأخرى

Feminist discourse in the works of the artist and Sama al Agha

المؤلف

الحساني، أسماء سمير حليم

المصدر

مجلة ميسان للدراسات الأكاديمية : مجلة علمية محكمة نصف سنوية

الناشر

جامعة ميسان كلية التربية الأساسية

تاريخ النشر

2021-12-31

دولة النشر

العراق

عدد الصفحات

20

التخصصات الرئيسية

الفنون

الموضوعات

• النظرية النسوية
• السماء
• الطقوس الدينية

الملخص الإنجليزي

The research is determined by studying the feminist discourse in the works of the artist and Sama al-Agha, because of the combination of the local culture of the Iraqi environment and the contemporary feminist vision.

And the sky of Aga? How did Agha practice her feminist vision in the text? The purpose of the research is to reveal the feminist discourse in the work of Agha through: 1- Exposing the cognitive system of feminist theory 2- Monitoring the type of feminist discourse in the works of the artist and Sama al-Agha.

Then comes the importance of the research, which is determined by achieving a kind of cognitive interconnection between contemporary theories and plastic art, as well as what the research presents in terms of reading that carries a kind of novelty as a purely feminist reading.

2012), Spatially Iraq.

The second chapter included two topics, the first concerned with providing a reading in the intellectual institutions of the feminist theory, while the second was concerned with studying the practices of the feminist discourse, then the third chapter, which represented the research procedures according to the method used, the research community, the research sample, the tool, and the analysis of the (4) sample.

And finally, the fourth chapter that included the results and conclusions.

The most important results were reached through the study: 1- An erotic discourse represented by embodying the duality of masculinity and femininity and with a kind of idealism, where the artist focused on what is emotional, far from playing on instincts as an attempt to break the stereotype that placed women in the category of instinct and seduction, so the emotional relationship here and the stories of lovers mixed with the features of the Iraqi heritage and its local symbols3- A social discourse related to popular traditions, represented by narrating the scenery of women's sessions in reviving religious rituals, and here the speech moved towards the role of women in creating a space of joy and pleasure, reflecting a different image towards the female who often described evil.

نوع البيانات

أوراق مؤتمرات

رقم السجل

BIM-1269958

• APA
• MLA
• AMA