المتلقي في النقد العربي القديم : ابن طباطبا و القاضي الجرجاني أنموذجا

الملخص EN

The aesthetic of receptivity has appeared in the modern era on the basis that the theory in which the critical action is monitored on the recipient, one that has long been forgotten by contextual and coordinate doctrines.

This new orientation overturned the balances of the entire critical process, opening ample room for laying the foundations for a new history of literature with Hans Robert Yaus, and establishing new reading mechanisms for literary work with Wolfgang Eiser. The questions that we raise in this regard relate to our Arab criticism, and especially the old part of it, where sources combine the interest of our critical heritage with the recipient, from several perspectives.

This criticism must have paid attention to the receiving party of the literary text.

how was the nature of that attention from our old criticism of the recipient of any kind? What are its different forms and manifestations? Do these critical texts concerned with receiving constitute a pure Arab theory? Can you, in this context , reading some of the chapters of the old Arab criticism code , approach the answers to these questions?