تجليات السادية و المازوشية عند الشعراء العرب القدامى : الفرزدق وقيس بن الملوح نموذجا

الملخص EN

According to Freudian psychoanalysis, direct dialogue with the neurotic, in other words free association, frees the patient's unconscious and allows him to express himself far from the control of the ego.

Thus, psychoanalysis treats the dream as a symbolic language charged with deep connotations.

Since language is an essential component of literary texts, psychological analysis has considered it to be a transparent discourse of the conscious mind of writers.

Consequently, one can say that the writers are neurotics, but in the positive sense because their neurosis manifests itself in the form of literary works.

This is how we will use the Freudian approach to study two former Arab poets, namely: Al-Farazdaq and Qais Ibn Al-Mallouh, in order to reveal the sadism and masochism from which they suffer.

In order to detect these two disorders with more relevance, we will analyze certain verses from their poems, so we will refer to certain biographical data.

Consequently, this study does not seek to judge or criticize the poems from an aesthetic or literary point of view but rather to reveal the psychological factors which were at the origin of their genesis.