اللاشعور الجمعي في الرسم العراقي المعاصر

العناوين الأخرى

The collective unconscious in contemporary iraqi painting

المؤلفون المشاركون

الفتلاوي، عباس نوري خضير
العزاوي، لمى صلاح أحمد حسن

المصدر

مجلة نابو للبحوث و الدراسات

العدد

المجلد 27، العدد 32 (30 يونيو/حزيران 2021)، ص ص. 109-132، 24ص.

الناشر

جامعة بابل كلية الفنون الجميلة

تاريخ النشر

2021-06-30

دولة النشر

العراق

عدد الصفحات

24

التخصصات الرئيسية

الفنون

الموضوعات

الملخص EN

The current research consisted of four chapters, the first consisted of the general framework of the research, while the second included two topics, one on collective unconsciousness and the second on contemporary Iraqi painting, and the third chapter included research procedures, and the fourth chapter reached the most important conclusions: 1.

The collective subconscious is represented through constructive treatments of artistic paintings and the symbols they produce with connotations embodying the depth of civilized communication.2.

The relationship between the mental image that constitutes the thinking mechanism and is reflected in it by means of manifestation and interpretation interact with it to form the contemporary Iraqi plastic product.3.

The forms of contemporary Iraqi painting seemed to be loaded with individual and collective creative energies (collective emotion) at the same time.4.

The drawings were characterized by a level of artistic awareness, color ability, and historical The current research consisted of four chapters, the first consisted of the general framework of the research, while the second included two topics, one on collective unconsciousness and the second on contemporary Iraqi painting, and the third chapter included research procedures, and the fourth chapter reached the most important conclusions: 1.

The collective subconscious is represented through constructive treatments of artistic paintings and the symbols they produce with connotations embodying the depth of civilized communication.2.

The relationship between the mental image that constitutes the thinking mechanism and is reflected in it by means of manifestation and interpretation interact with it to form the contemporary Iraqi plastic product.3.

The forms of contemporary Iraqi painting seemed to be loaded with individual and collective creative energies (collective emotion) at the same time.4.

The drawings were characterized by a level of artistic awareness, color ability, and historical diagnosis.

نمط استشهاد جمعية علماء النفس الأمريكية (APA)

العزاوي، لمى صلاح أحمد حسن والفتلاوي، عباس نوري خضير. 2021. اللاشعور الجمعي في الرسم العراقي المعاصر. مجلة نابو للبحوث و الدراسات،مج. 27، ع. 32، ص ص. 109-132.
https://search.emarefa.net/detail/BIM-1320365

نمط استشهاد الجمعية الأمريكية للغات الحديثة (MLA)

العزاوي، لمى صلاح أحمد حسن والفتلاوي، عباس نوري خضير. اللاشعور الجمعي في الرسم العراقي المعاصر. مجلة نابو للبحوث و الدراسات مج. 27، ع. 32 (حزيران 2021)، ص ص. 109-132.
https://search.emarefa.net/detail/BIM-1320365

نمط استشهاد الجمعية الطبية الأمريكية (AMA)

العزاوي، لمى صلاح أحمد حسن والفتلاوي، عباس نوري خضير. اللاشعور الجمعي في الرسم العراقي المعاصر. مجلة نابو للبحوث و الدراسات. 2021. مج. 27، ع. 32، ص ص. 109-132.
https://search.emarefa.net/detail/BIM-1320365

نوع البيانات

مقالات

لغة النص

العربية

الملاحظات

يتضمن هوامش : ص. 128-131

رقم السجل

BIM-1320365