جماليات الايكولوجيا في رسوم مابعد الحداثة : "كلاوديا بايسن انموذجا"

الملخص EN

The Research Tagged (The Aesthetics Of Ecology In Postmodern Drawings) Dealt With The Study Of The Aesthetic Approaches That Are Related To The Ideas And Techniques Of The Artist (Claudia Payson), And It Contained Four Chapters: It Proceeds From The Fact That The Artwork Is Not Only The Result Of Impressions Inspired By Nature, But Is A Product Related To Several Data, Including: Raw Materials (Plants, Trees, Rocks, Color Pigments) And Others...

And By Turning Them Into Expressive Artistic Means..

The Research Objective Was Summarized As: Knowing The Aesthetics Of Ecology.

Postmodern Drawings (Claudia Payson) As A Model.

The Limits Of The Research Were Limited To The Study Of Drawing On The Assets Of The Environment In America (California - Gualala) And The Analysis Of Models Of International Drawing, By Adopting The Descriptive Approach.

As For The Second Chapter, It Contained Three Sections, The First Topic Dealt With: (Conceptual Beauty), The Second: (Historical Ecology), While The Third Topic Is Concerned With (Environmental Aesthetics In Postmodern Arts), And The Third Chapter Is Concerned With Research Procedures (The Research Community And Its Sample, And The Research Tool, And The Analysis Of The Samples Of The Total (3) Is A Work Of Art.

The Fourth Chapter Contains The Results, The Most Important Of Which Are:- The Works Of Art Of Painting On The Ground And Trees Indicate The Existence Of An Authentic, Psychological And Spiritual Relationship Between Man And The Earth.

They Represent A Kind Of Artistic Inspiration Through Their Shapes, Sizes And Terrains That Move The Artist’s Imagination And Stimulate His Desire To Paint On Them.

At The Conclusion Of The Research, (Conclusions, Recommendations And Suggestions), Sources And Appendices Were Included