العتبات النصية في الرواية النسوية الجزائرية - نماذج مختارة

الملخص EN

This article aims to examine the text thresholds in the Algerian feminist novel, its importance to the narrative text, its effectiveness in discussing the horizon of the reader and its tendency to longing for the reading of the central text, and because of the writer's awareness of the importance and the necessity of these thresholds and their impact in the context of the text body.

The novelist attached a great importance to it as the key of reading, enabling readers to get inside the depths of the text and its significance.

Among the conclusions drawn from the study we can cite: that the Algerian novelist realized the semantic and positive dimension of the title, and in spite of the fact that most of the titles of novels do not carry imaginative energy and do not have semantic displacement that convey us to interpretations that open the narrative text and turn it into visions brimful of deep significance.

The writer took the cover of the novel and considered it an integral whole by looking at the pattern of four different graphic units (image, color, gender marker, title).

considering that the cover as a space of signs and connotations where it exercises seductive function that serves to attract the receiving self.