النسق البصري للزخرفة الإسلامية في قصور الحمراء بين التأويل و الحدس : دراسة جمالية

الملخص EN

The current research dealt with (the visual pattern of Islamic decoration in the red palaces be-tween interpretation and intuition), which sheds light on the art of Islamic decoration, as it involves a philosophical intention based on it that is linked to the Islamic and spiritual faith and abstract thought.

the research included four chapters dealing with the first chapter (the methodological framework) for the research represented by the research problem embodied in the question : what is the interpretation and intuition of the visual pattern of the Islamic decoration in the al-Hambra palaces? the first chapter included the importance of the research and the need for it, and the aim of the research was to know : the visual pattern of Islamic decoration in the alhambra palaces be-tween interpretation and intuition, as well as the limits of research and definition of terms.

the second chapter dealt with (the theoretical framework), which contained the first topic : in-terpretation in Islamic decoration.

the second topic contained : intuition in the art of decoration.

the third chapter dealt with (research procedures) consisting of the research community and its sample, and the analysis of the sample.

then the fourth chapter, which includes the results of the research, conclusions, recommendations and suggestions.

among the results : the an Dalusian decorative art, represented by the Alhambra palaces, is characterized by a set of characteristics : abstraction, repetition, deletion, superposition, contrast, symmetry, and movement, which ultimately relate to a logical intuition system, which is linked to symbolic connotations and metaphysical forces.

and that the geometric shapes of the research sample carry with it aesthetic connotations that transmit sensory reality with a kind of interpretation and intuition.