التصوير الاستشراقي للحريم بين الواقع و المخيال : لوحة "نساء الجزائر في غرفتهن" نموذجا

الملخص EN

This study is concerned with elucidating the image of "Hareem "in orientalist paintings so as to form a clear picture of Orientalist painting to understand the reasons for the false representation of the harem, and there fore understand the motives that led to the employment of orientalist artists in colonial projects through the artistic achievement, and that this representation has different motives and incitements, some of which are artistic coming from the predominant artistic trend during the nineteenth century, and the Eastern Civilization and the obsession with Orientalist material with all its elements, and most of what was represented is nothing but a Western invention to re-construct the other according to the western perception and interest and as part of the plans used to justify colonialism.