المقاومة الجمالية في الرواية النسائية الجزائرية الحديثة: رواية ذاكرة الجسد لأحلام مستغانمي أنموذجا

الملخص EN

This study follows some types of the aesthetics of the resistance literature in the novel of Ahlam Mostaganemi (the body’s memory), throughout detecting three kinds of this aesthetics, which are: the title, the language and the literary interference genera.

through the partial title, we aim to reveal the deep meaning of the terms that are close artistically and opposite significantly.

whereas the second kind (language), it was the search through examining its words that were in fact close to poetry more than literature.

meanwhile for the interference genera, we limited our search on the interference between poetry and literature which was revealed in the truth of Ziad’s character, who is a fighter between love and war.

we finally found that Ahlam Mostaganemi throughout what she presented, she was able to express the female voice in a literary frame.

the fact that allowed her to enter the literary creativity’s arena which men dominated forever.