التشبيه الغاية و التشبيه الوسيلة في الشعر العربي : دراسة نقدية لمفهوم الصورة التشبيهية في الشعر العربي الموروث و الجديد

الملخص EN

The study deals with an unalike prospective of “Simile” which is a section of rhetorical significance in old and modern Arabic poetry.

It is very obvious that, there are remarkable differences between the use of denotative a logistic imagery in Arabic poetry composition of old and modern ages; the differences are on the bases of portraying both physical and abstract denotations.

Accordingly, the connoisseur audience are divided into two groups: the first focuses on the accuracy of the five senses interaction towards the portrayal of a poet to physical images denotation in a poem.

Whereas, the second group delve into the depth of themselves and their reaction to the first approach (physical denotation).

Each of the two approaches has its beauty, luster of connotations and magnificent images.

The poet who chooses to denote the first kind, would have chosen a subjective analogy, on the other hand the one who chooses to express the second would have chosen an objective analogy as it has been used by some of the modern poets.

The three axes of the study explain the nature and the purpose of the terms “Subjective and Objective Analogy” of old and modern criticism as coined terms.