النص الرحلي و الأبعاد السردية

الملخص EN

The nomadic text and narrative dimensions : the distinction between travel literature and the journey as a discourse bound in a multi-dimensional text and the textual journey as an ancient literary genre, and between the travel and narrative text are regulating frameworks for a set of stylistic variations, subjective visions, cultural attitudes, value judgments, and historical new discoveries according to modernist critical approaches within a sociological approach that does not negate all the patterns and contexts that make up the creative text, such as the presence of the feeling of alienation, the break from childhood, diving in remote areas, and then the triumphant return with a repertoire of real miracles.

what created all that complex narrative mixture in the midst of a collective culture, nourished by religious references, imbibed by travelers, in which the forms of news, description, and judgment alternate, charting, in the Arab-Islamic imagination, the identities of other nations, with a mixture of facts and imaginations, and is specific to narrative representation.

expanded to most parts of the ancient world, this combination makes it difficult to conclude on the differences, and makes the recipient raise the legitimate cognitive question that says : -to what extent can to what extent do we stand on the aspects of this distinction between the nomadic and narrative discourses ? -we draw the loom of this weaving, especially if some critics acknowledge the union and overlap of the two texts ? -is it possible to acknowledge the merging of horizons and to realize the pleasure of gaining knowledge, and to stress the necessity of the two discourses being correlated ? this is what i am trying to reach as a result of this study, and from the axioms of scientific beginnings, we know what each discourse is from its linguistic and idiomatic roots, which are diverse but useful.