دور الرسوم التوضيحية في تعميق الفكر السياسي لصحيفة بانش "punch البريطانية": دراسة تحليلية

الملخص EN

In the long and lively history of publishing there has been nothing like the British newspaper punch.

with its eclectic mix of jokes, puns, parody and social and political commentary, the illustrations for the British newspaper punch were one of the outlets for the use of satire to express opinions that criticized life in the world.

Britain and documented the country’s concerns, concerns, and frustrations, and today it represents an invaluable source for social historians.

from its beginnings, it combined illustration and political debate with a bold humor that some saw as extreme, and in the first few years of its existence, the magazine gained a reputation as a defender of the oppressed and an extremist bane of all authorities.

since the late nineteenth century, it has reflected the conservative views of the growing middle classes and its copies have spread widely.

painting was of great importance.

consequently, what we might call the prestige and importance of illustration was transferred.

illustrations are an important means of communication and communication between communities.

they were transferred to many painters to express their point of view on life in London.

to help the British newspaper “punch” formulate the term “animation” in its modern sense as a comic illustration.

those in charge of government and those who led those in charge of its administration considered that the boundaries of the city of London were important in determining the scope of the city’s jurisdiction, and this included the presence of entities or buildings that were triangular in their composition and decorations.

clear symbols of the place through which those coming from a less spacious city to the city of London will cross.

one of these symbolic entrances and buildings was a stone arch through which passers-by passed, and it was called “temple bar” on “the strand”.