جماليات الأعمال الطباعية القائمة على الكائنات البحرية في ضوء التجريد

الملخص EN

In the late twentieth century, the field of textile printing witnessed much development in terms of techniques, tools, and methods proposed in many works of art, whether these printed works were for a utilitarian purpose, such as furnishings, or aesthetic ones, such as printed works.

many artists have resorted to using a combination of ancient and modern methods and printing techniques to obtain a fusion that combines the assets derived from the distinctive influences of traditional methods and the addition of modern techniques and performance methods.

printing techniques, despite the diversity of their surface effects, are distinguished by the possibility of combining the distinctive characteristics of each technique on the surface.

one weaving.

effective control over the shaping processes is not only limited to the multiplicity and diversity of techniques used, but also the development of materials and tools.

through academic experiences in the field of textile printing and continuous experimentation with its various printing materials and various techniques, including digital and manual, which led to arriving at innovative plastic visions and expressive dimensions for printing works.

through research, the study found that marine invertebrate organisms have a wide window to enrich the field of textile printing, guided by abstract art.

since, to the best of the study’s knowledge, marine invertebrate organisms are rich in formal and aesthetic values capable of providing an aesthetic and creative environment.