الدلالة الرمزية لصورة المرأة القبائلية في السينما الأمازيغية: فيلم "جبل بايا" نموذجا

الملخص EN

This research paper seeks to reveal the image of the tribal woman as an apparent reality in the Amazigh cinema, by accessing the various connotations and explicit and implicit meanings related to the tribal woman, then analyzing and interpreting it, and standing on the most important features of this image presented by the Amazigh cinema to the audience, depending on on a semiological approach to an applied model from the footage of the Amazigh film, Jebel Baya, which contains a number of ciphers and symbols, which we will try to extrapolate and devise in order to reach the specific and implicit connotations of the tribal mirror image.