ظاهرة العنونة في روايات واسيني الأعرج: قراءة في المنجز النقدي (العربي)‎

الملخص EN

This study seeks to discuss what we have called the "beauty of title" by examining an important aspect of the Arab critical achievement, which sought to discuss this phenomenon by the novelist, Wasini al-Araj Between the most important critics and researchers who tried to explore the secrets of this question appearing to the novelist, we mention the Moroccan critic Said Yaktin in his book "the novel and the narrative heritage." and the Tunisian critics "Kamal Riahi" in his book "Fictional Writing by Wasini al-Araj" and "Fawzi al-Zomorli" in his book "The Poetry of the Arabic Novel", And the Kuwaiti critic "Souad al-Anzi" in her book "Violence in the Algerian novel", as well as the Algerian critics, "Rachid Ben Malek." In his book "Narrative semiotics," and "Tahar Rawaniyya," in his paper: "Tales of the Maghreb novelistic crossing." That is why this study tries to answer some questions, namely: What are the manifestations of criticism's interest in fictional addressing by Wasini al-Araj? What is its role in contemporary Arab criticism? What are the methodological methods that the Arab criticism relied upon in What are uncovering the secrets of the beauty of title by Wasini al-Araj? What has achieved the critical accumulation of the novelistic titles of Wasini al-Araj? What is the multiple significance provided by the critical deconstruction of fictional title to Wasini al-Araj, both outwardly and implicitly?.