الأبعاد الأسلوبية والتقنية في رسوم جماعة البعد الواحد

الملخص EN

The current research dealt with (the stylistic and technical dimensions in the drawings of the One Dimension Group) in an attempt to study the letter that was inspired by the Iraqi artist with all its conceptual and structural references by taking advantage of the characteristic of letters, which is unique and represented by its flexibility, ability and ability, to be wide areas to invent new artistic methods and formulas.

Also, the characteristics of letters are their flexibility and their response to the processes of elongation or rotation, going up or down, going vertically or horizontally, reducing and increasing, adopting a letter, or parts of a letter, or a group of letters or an entire word.

Through the important and distinguished role of the Arabic letter, in formation and expression, it is not new or urgent, in the Arab and Islamic arts, but rather dates back to a long time, as the Arab and Muslim artist has always tried to harness this method to revive the plastic aesthetic value that they enjoy find it.

1.

One-dimensional artists formed a new artistic identity stemming from their culture and heritage.

These artists succeeded in integrating Islamic visual traditions, especially crafts, into contemporary original compositions.

2.

The artists of one-dimensional deconstructed the letter and transformed it into an indicative sign that expressed traditions and cultural heritage, opening up unfamiliar ways of interpretation.

3.

The one-dimensional artists’ inspiration for letters with Sumerian references, which are close to graphic writing with cosmic and natural elements, provided the recipient with an opportunity for expression or mental participation, and thus the aesthetic awareness increased, enriched and diversified.