جمالية التنوع الزخرفي للأواني المعدنية في الفن الفارسي

الملخص EN

The tagged research means (the aesthetic of decorative mineral diversity in Persian art), as it is a scientific effort to reveal the aesthetic of decorative diversity in Persian art through the selected artistic output from the Achaemenid and Sassanid Persian period.

To know the Persian ornaments through the following question: What is the aesthetic diversity of metallic ornamental in Persian art? The aim of the research is to know the aesthetics of the decorative metal diversity in Persian art.

The research shows its importance.

The topic of the research is unique.

It deals with the current period of Persian civilization and reveals the aspect of metal utensils and the need for it to inform our local and Arab libraries of what it means in Persian arts and its aesthetics.

The second chapter also studied the first topic: the entrance to the aesthetic of Persian thought and Greek thought.

For the second topic, it included decoration and its types and foundations.

The third topic studied the emergence and development of Persian art of metal utensils.

Four works of inflatable metal utensils, and the research ended with a set of final results: the superior Persian ornamental engineering in the transmission of geometry, vegetation, humanism, and sima, and that the ancient Persian civilization was not in all its parts the same and of one character, it found differences that distinguished the Achaemenid civilization from the Sassanid civilization, with a system that determined He determined the character of each of them, for the first time and the most important of them directly, and that the aesthetics of the formations were influenced by the environment, the religion of those that were present on the body of the silverware, and that the decorative diversity of Persian art was revealed by the reality and ceremony of the social system.