سمات التجريد في أعمال علي جبار النحتية

الملخص EN

The current research dealt with the topic (Attributes of abstraction in Ali Jabbar's sculptural works), as sculpture is no longer a simulation of reality, but rather has become abstract and diverse, i.e.

the so-called (non-diagnostic), that is, the form was abstracted and departed from the familiar image.

Accordingly, the research contained four chapters.

The first chapter dealt with the research problem, which was determined by the following question: What are the characteristics of abstraction in Ali Jabbar's sculptural works? It contained the importance and need for research, and the research objective represented by (recognizing the features of abstraction in Ali Jabbar's sculptural works), and identifying the most important terms contained therein.

As for the second, it included a study: First; the concept of abstraction.

Second: Abstraction in Contemporary Iraqi Sculpture.

Third: Abstraction in the works of Ali Jabbar.

As for the third chapter: it included the research procedures, and the selection of samples from the sample, which amounted to (") models, by adopting the descriptive approach.

The fourth chapter included; results and conclusions, as well as recommendations and suggestions.

Among the most important search results; 1.The artist adopted the ideal philosophical thought in employing forms and formulating them in an abstract geometric style.

As in all sample models.

Y.

2.The artist was inspired by the cultural heritage and formulated in a new and unique style in the visual forms, achieving leadership, uniqueness and originality in creating these abstract structures.

Among the most important conclusions; .Contemporary Iraqi sculptural works included the representation of abstract meanings as far as they were related to thought, religious beliefs and civilized thought in ancient Iraq.