الرموز الصورية في دور سامراء وامكانية احالتها الى مجسمات خزفية معاصرة: دراسة تطبيقية

الملخص EN

The current research deals with the possibility of reproducing the figurative symbols in the role of Samarra into contemporary ceramic models, as these symbols were considered one of the first institutions in achieving the semantic meaning of things, and those graphic symbols have taken a large space in the process of collective communication between individuals and also to determine the meaning of the various sensibilities of the life reality of man and contained The current research consists of four chapters, including the first chapter of (the methodological framework), which reviews the research problem, which was determined by the following question: Can the Samurai figurative symbols from the Mesopotamian heritage be referred to contemporary ceramic models? The research also dealt with the importance of the research and the need for it, and the aim of the research was to identify the figurative symbols in the role of Samarra from the Mesopotamian heritage and the possibility of referring them to contemporary ceramic models.

The limits of the research were limited to the completion of re-produced ceramic works from the historical period (the Neolithic Age - the role of Samarra) (A) BC and the inclusion of spatial boundaries (Babylon Iraq).

The graphic origins and the concept, and the second topic dealt with the Mesopotamian symbols from (the role of Samarra), and the third topic dealt with (the figurative symbols in contemporary Iraqi ceramics), and through these sections, the researcher extracted the indicators of the theoretical framework and devoted the third chapter, which included the research procedures, and (°) was implemented Ceramic works by the researcher.

The researcher adopted the (experimental) method in analyzing the samples.

The fourth chapter contains the research results, the most important of: which are: Of all the samples (5), the ceramic models were made with sculptural treatments of the graphic symbols drawn inside the pottery pots in the Mesopotamian civilizational heritage, from the role of (Samarra) while preserving the spirit of the graphic symbol from the design aspects and constructive dialogue to stereoscopic and sculptural blocks.

The researcher performed the treatments to produce the shapes of the graphic symbols (human, geometric, animal and cosmic) and referred them to sculptural models of the drawn graphic symbol.