التحولات الإسلوبية في فن المنمنمات الصفوية: كمال الدين بهزاد أنموذج

الملخص EN

The current research is an attempt to reveal the totality of stylistic shifts in the art of miniature in its general form, as well as what are the aesthetic values carried by those stylistic shifts in the art of miniature The art of (miniatures) is a distinctive art with a historical documentary nature similar to the narrative narrative record through the construction of serialized narrative art miniatures.

The miniatures included a documentary formula for recording events that preceded generations.

The importance of the current research lies through the blending between poetry, literature and image, which was one of the features of this the art.

Add to that the peculiarity of the art of miniature painting in terms of its upbringing, which is associated with East Asian countries bearing the influences of those countries.

The art of "miniatures" is characterized by ideological, historical and aesthetic connotations.

It is an artistic production of small dimensions, and is characterized by accuracy in drawing and coloring.

The miniatures that abound in Islamic arts have their entrances and exits and patterns of pampering them.

Each of them contains a text, and like all texts that are determined as a special organization of semantic units Manifested through symbols, signs, and signs in their various positions and the interaction between these elements, and the forms of their presence in space and time define the semantic worlds that the miniature hoard.

Where the current research contained four chapters, the first chapter included the research problem, its importance and the need for it.

The research problem was identified in finding an answer to the following question - What are the stylistic shifts in the art of Persian miniatures? The aim of the research was determined by shedding light on the plastic and formative aspects of the art of miniature As well as clarifying and determining the aesthetic value of the art of miniature painting, by revealing the development of this art, its methods and formulations in terms of form and content through time periods.

As for the limits of the research, they were determined by a group of artworks within the time period (AD-10) AD, as well as defining the terms mentioned in the title of the current research.

As for the second chapter, it included the subject of stylistic transformations in the art of Persian miniatures.

While the third chapter included the research procedures, which included the research community, which is miniatures (artistic paintings), which is an intentional sample of () models and research methodology, the descriptive analytical approach.

As for the fourth chapter, it included the results, conclusions, recommendations and suggestions reached by the researcher.

Among the results of the current research: -The productions of the miniature artists reflected a craftsmanship that exceeded all expectations and expectations, through the rich aesthetic achievements they presented by the artists of this art.

The research ended with the most important sources in Arabic and English.