الحركة النقدية حول احمد شوقي

الملخص EN

Undoubtedly, every new literary phenomenon calls for multiple questions and reactions, and the emergence of Ahmed Shawky constituted a new phenomenon and an important poetic event at a time when the cultural and poetic atmosphere specifically was living towards aspirations and critical moments, and if poetry needed someone to return it to its paradise What is missing is his original elegance and his possession of poetic expression, flowing with life...

However, the change, if we may express it, was a retrospective change, meaning that Shawqi sought to change it to consolidate the old classical model that he lost during that period.

Hence, the change was not a radical change.

In the sense that it was not a change at the level of form and style, such as the change that occurred in the structure of the Arabic poem later, and from here any attempt to change in that period was faced with many difficulties, because the poetic taste and the literary mentality did not have preparations for this type of change and at the same time it was There are critical tendencies that seek change at the level of theorizing, and among the owners of those theorizing were those who adopted Western critical statements that were not responded to by the poetic taste at the time, and because of that, these statements were unfair.

Shawky is right because she was unable-unfortunately to extrapolate Shawky's role in the light of the cultural pattern that was dominant in the Arab literary scene at the time, and these statements did not stem from the reality of the current culture in that period, but rather were ahead of its stage, and were leaked sayings that described Shawky's poetry as weak and weak.

She demanded Shawqi and Shawqi's poetry for what was outside his role at that stage, in addition to what Shawqi enjoyed in terms of a literary personality that was responding to the requirements of the Arabic poem at that stage and did not have an expressive or mental readiness for the calls for change demanded by the critical movements that specifically dealt with Shawqi's poetry.