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Womans image in charlotte Perkins Gilmans, “the yellow wallpaper” and Fadia Faqirs, pillars of salt a feminist approach
العناوين الأخرى
صورة المرأة في قصة تشارلوت بيركنز جلمان "ورق الجدران الأصفر" و رواية فادية فقير "أعمدة الملح" من منظور نقدي نسوي
مقدم أطروحة جامعية
مشرف أطروحة جامعية
أعضاء اللجنة
al-Sadun, Sabbar Sultan
Husayn, Riyad Fayiz Isa
الجامعة
جامعة الشرق الأوسط
الكلية
كلية الآداب و العلوم
القسم الأكاديمي
قسم اللغة الإنجليزية
دولة الجامعة
الأردن
الدرجة العلمية
ماجستير
تاريخ الدرجة العلمية
2010
الملخص الإنجليزي
This thesis presents a critical study of two literary works by applying a feminist approach.
It examines the image of woman as portrayed in the short story of the American writer Charlotte Perkins Gilman, “The Yellow Wallpaper”(1892) and in the novel of the Anglo-Arab writer, Jordanian-born Fadia Faqir, Pillars of Salt (1996).
It shows how, despite the distinctly different cultural setting of both stories, the feminist message remains the same – women are shown as occupying secondary roles in their patriarchal societies.
Both stories demonstrate how women were kept confined to severely traditional female roles constructed and determined by their patriarchal cultural and social systems.
As a result, these main female characters are denied a voice, an identity, and even physical freedom.
This denial leads to the tragic outcome of their lives.
In Gilman‟s short story, the main character presents an uncanny autobiographical resemblance to Gilman‟s own life.
The main protagonist, Jane, tries to break free from the bonds of a domineering male medical profession which subjects her to a debilitating and forced treatment known as the “resting cure” which denies her the freedom to engage in intellectually stimulating activities.
As a result, she spirals into a psychologically damaging state of mind.
Through her story, Gilman had hoped to create an awareness of the erroneous medical conventions imposed on women and to underscore the social injustices that many American women were subjected to during the late nineteenth century.
Faqir‟s Pillars of Salt, likewise, explores the violently damaging effects that patriarchal systems in post-colonial Transjordan in the 1920s had on the main characters.
Faqir weaves a narrative intertwined between the two main characters, Maha and Um Saad, both of whom recount their individual stories of oppression and the physical and sexual violence to which they are subjected by the male figures of their restrictive patriarchal society.
The novel highlights the characters' cultural, social and gender differences and the injustices the female characters suffer in their man-dominated society.
This study concludes that the two stories discussed here present the stereotypical images of women which eventually lead to inflicting some damaging effects, both physically and psychologically, on the female protagonists.
It also demonstrates how the two women writers, American and Anglo-Arab, utilize their writing to portray the image of women with a view to drawing attention to the various problems women face in patriarchal societies.
التخصصات الرئيسية
عدد الصفحات
125
قائمة المحتويات
Table of contents.
Abstract.
Abstract in Arabic.
Chapter One : Introduction.
Chapter Two : Review of related literature.
Chapter Three : Woman’s image in “the yellow wallpaper”.
Chapter Four : Woman’s image in pillars of salt.
Chapter Five : Conclusion.
References.
نمط استشهاد جمعية علماء النفس الأمريكية (APA)
al-Fadil, Marya R.. (2010). Womans image in charlotte Perkins Gilmans, “the yellow wallpaper” and Fadia Faqirs, pillars of salt a feminist approach. (Master's theses Theses and Dissertations Master). Middle East University, Jordan
https://search.emarefa.net/detail/BIM-693163
نمط استشهاد الجمعية الأمريكية للغات الحديثة (MLA)
al-Fadil, Marya R.. Womans image in charlotte Perkins Gilmans, “the yellow wallpaper” and Fadia Faqirs, pillars of salt a feminist approach. (Master's theses Theses and Dissertations Master). Middle East University. (2010).
https://search.emarefa.net/detail/BIM-693163
نمط استشهاد الجمعية الطبية الأمريكية (AMA)
al-Fadil, Marya R.. (2010). Womans image in charlotte Perkins Gilmans, “the yellow wallpaper” and Fadia Faqirs, pillars of salt a feminist approach. (Master's theses Theses and Dissertations Master). Middle East University, Jordan
https://search.emarefa.net/detail/BIM-693163
لغة النص
الإنجليزية
نوع البيانات
رسائل جامعية
رقم السجل
BIM-693163
قاعدة معامل التأثير والاستشهادات المرجعية العربي "ارسيف Arcif"
أضخم قاعدة بيانات عربية للاستشهادات المرجعية للمجلات العلمية المحكمة الصادرة في العالم العربي
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تقوم هذه الخدمة بالتحقق من التشابه أو الانتحال في الأبحاث والمقالات العلمية والأطروحات الجامعية والكتب والأبحاث باللغة العربية، وتحديد درجة التشابه أو أصالة الأعمال البحثية وحماية ملكيتها الفكرية. تعرف اكثر
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