عتبة الألوان في الرواية النسوية الجزائرية : مقاربة تحليلية

الملخص EN

There is no doubt that the language of women's discourse is glamorous and radiant, a language that brilliantly managed to carry women's issues and concerns and it marks the coming of a new partner who wishes to be well-placed in the general context and to find those who could hear him and share with him his portions and his worries.

It is through this way that the woman managed to be part of the writing world.

It is not simply a question of writing, but it is a matter of identity, self-assertion and resisting marginalization degeneration.

On this basis, we opt for a semiotic analysis as a fundamental means and solid pillar upon the poetical image is founded.

The experience of the Algerian novel writing delights us by its special concern of colour, image and the shade of light among other artistic textures that contribute to the making of poetic framework.

For instance, the colours move externally to inform about the good taste of things and significantly dig deep down to express the deep structure of the text in ordere to understand its view of the writing and at the same time it tests the imagination of the reader and his ability how to tackle the text.