الإيقاع جمالياته و توظيفه الدلالي في سورة النبأ

الملخص EN

The research considered in studying the rhythmic structure in Al- Naba’ Sura as an entrance in revealing the artistic construction, aesthetic aspects, and connotative phenomena.

The rhythm interferes with the rhetoric sciences whereas the rhetoricians dealt with through their speech about enchasing, rhyme, congruity of construction, moderation of measure, derivation of the pronunciation from the utterance, summarization of the phrase using borrowed utterances; then stating the parts and sequence etc..

After stating the concept of the rhythm the research was divided into the rhythm of interval and its connotation as moving letters in the sections that should make the rhetoric meaning understood well.

Thus; Al-Sura started in the interval of al-noon and moved into al-dal which came congruent with al-’alef whereas the contradiction played an important role in making the connotation prominent.

The second axis was concerning with the repetition and its rhythmic connotation of the verbs denotative of movement.

Thus; the sounds produced in their repetition and sequence a prominent artistic rhythm; also the parallelism achieved rhythm in its sequence.

So; in the Sura, a grammatical and derivational parallelism has come, whereas parallelism is based on the connotative equivalence.

The structure of the rhythmic balance has consolidated the connotation of the text that pushed it for more tension and harmony at the same time.

There is parallelism based on the level of the apex rising namely, representative of the open- mindedness towards the texts went and directed it to the connotative summit, that had the considerable effect in showing prominence the succession of the connotation in the human rebellion concluded in the original parallelism.

This kind gives the chance to possibility of double reading because it is based on the intersection among the repeated elements which is known in the western criticism as opposition or replacement as a result of replacement the original center from right to left vice-versa.